Last week’s blog post introduced the life and work of artist Virgil Cantini and highlighted the vulnerable position of postwar public art objects and installations, which often require special expertise to understand and articulate their significance for preservation. This week’s … Continue reading →
On a sunny August morning in 2017, a group of Pittsburgh-based architects, historians, artists, students, preservationists and art enthusiasts convened before venturing out with a shared goal; to experience first-hand nearly all public artworks accessible in the vicinity, both indoors … Continue reading →
